Starred review from March 2, 2009
The last normal moment that Mia, a talented cellist, can remember is being in the car with her family. Then she is standing outside her body beside their mangled Buick and her parents’ corpses, watching herself and her little brother being tended by paramedics. As she ponders her state (“Am I dead?
I actually have to ask myself this”), Mia is whisked away to a hospital, where, her body in a coma, she reflects on the past and tries to decide whether to fight to live. Via Mia’s thoughts and flashbacks, Forman (Sisters in Sanity
) expertly explores the teenager’s life, her passion for classical music and her strong relationships with her family, friends and boyfriend, Adam. Mia’s singular perspective (which will recall Alice Sebold’s adult novel, The Lovely Bones
) also allows for powerful portraits of her friends and family as they cope: “Please don’t die. If you die, there’s going to be one of those cheesy Princess Diana memorials at school,” prays Mia’s friend Kim. “I know you’d hate that kind of thing.” Intensely moving, the novel will force readers to take stock of their lives and the people and things that make them worth living. Ages 14–up.
Starred review from May 1, 2009
Gr 9 Up-Forman creates a cast of captivating characters and pulls readers into a compelling story that will cause them to laugh, cry, and question the boundaries of family and love. While out on a drive with her family, 17-year-old Mia is suddenly separated from her body and forced to watch the aftermath of the accident that kills her parents and gravely injures her and her younger brother. Far from supernatural, this shift in perspective will be readily accepted by readers as Mia reminisces about significant events and people in her life while her body lies in a coma. Alternating between the past and the present, she reveals the details and complexities of her relationships with family and friends, including the unlikely romance with her punk-rock boyfriend, Adam. An accomplished musician herself, Mia is torn between pursuing her love for music at Julliard and a future with Adam in Oregon. However, she must first choose between fighting to survive and giving in to the resulting sadness and despair over all she has lost. Readers will find themselves engrossed in Mia's struggles and will race to the satisfying yet realistic conclusion. Teens will identify with Mia's honest discussion of her own insecurities and doubts. Both brutal and beautiful, this thought-provoking story will stay with readers long after the last page is turned."Lynn Rashid, Marriotts Ridge High School, Marriottsville, MD"
Copyright 2009 School Library Journal, LLC Used with permission.
June 22, 2009
The Lovely Bones meets It's a Wonderful Life. Mia has a big decision to make. One snowy day, her family is killed in a catastrophic accident, while she is thrown from the car and left in a coma. Now it's up to her. Should she stay here or move on, leaving the pain and struggle of life as an orphan? Mia's spirit hovers in the critical care unit as she sorts through her feelings about her family, her music, her boyfriend, and her best friend, Kim. Death would mean the end of hard decisions but also the end of love. Why It Is for Us: Mia's decision is not an easy one. If she moves on, she will join her loving family in whatever comes after but will miss out on life. If she stays, there's so much to enjoy, but she'll face grief and an uncertain future. This honest yet affirming story confronts the truth that all life is a struggle. Every reader who's ever wanted to avoid a painful decision will be compelled by the choice Mia must make.-Angelina Benedetti, King Cty. Lib. Syst., WA
Copyright 2009 Library Journal, LLC Used with permission.
Starred review from December 15, 2008
Grades 10-1 *Starred Review* Forman (Sisters in Sanity, 2007) provides a compelling and highly textured account of the brutal 24 hours that may be 17-year-old Mias last. Her day starts with a drive, with her loving and moderately punk parents and her effervescent little brother, to a bookstore. A collision with another vehicle leaves Mias parents dead. The narrative is told in a robust first-person voice, with flashbacks, flash-forwards, and out-of-body reports on her immediate surroundings as Mia is transported, in grave condition, to the hospital. The story then follows the medical efforts to save her life, extended family and friends efforts to provide emotional care, and Mias coming to terms with what has happened and what might still await her. Mia, a gifted cellist, finds support from her alt-rock boyfriend and a best friend whose own mother is a hysteric. Mias recounting of this critical day is laced with insight, good humor, and wonder, allowing the reader to enter the scene as fully as Mia herself seems to have, at least for now, left her broken body. More developed and satisfying than a Lurlene McDaniel drama, Mias story will engage readers willing to suspend their disbelief that the future can be seen in the present.(Reprinted with permission of Booklist, copyright 2008, American Library Association.)
July 1, 2009
A car accident leaves seventeen-year-old Mia in a coma, her parents and brother dead. She hovers between life and death, watching surgeons bustle around her comatose body. The story moves easily between the present vigil and Mia's past as she considers the unbearable pain of living with so much loss. The stakes are poignantly conveyed through Mia's vivid memories.
(Copyright 2009 by The Horn Book, Incorporated, Boston. All rights reserved.)
July 1, 2009
What begins as the gift of a rare snow day in Portland, Oregon, turns suddenly into nightmare. Seventeen-year-old Mia drives off with her family on the unexpected holiday. A sudden explosion of metal, and Mia is looking at her dead parents sprawled on the asphalt, her little brother nowhere to be found. An ambulance arrives to take Mia's body, bristling with tubes, to a trauma unit, and incorporeal Mia rides along. Distant kin to the dead narrators of The Lovely Bones et al., Mia hovers somewhere between life and death, watching surgeons bustle around her comatose body. An empathetic nurse clues Mia in that "she's running the show" -- that the choice to live or die belongs to Mia. Forman's one-sitting page-turner moves easily between the present vigil and Mia's past as she considers the ultimate choice. A talented classical cellist, Mia is deeply in love with punk-rock singer Adam, who has more in common musically with Mia's formerly punk, effortlessly cool parents. As Mia holds out for Adam's arrival at the hospital and considers the unbearable pain of living with so much loss, her best friend Kim reminds her that she does have family -- all the relatives and friends out there pulling for her. Apart from a heavy-handed clunk or two ("I realize now that dying is easy. Living is hard"), the stakes are poignantly conveyed through Mia's vivid memories of a rich, rewarding life.
(Copyright 2009 by The Horn Book, Incorporated, Boston. All rights reserved.)