Starred review from July 31, 2000
Horror fiction that traffics in the supernatural perforce sometimes deals with matters of psycho-spiritual import. Rarely does it tackle them as directly as in this exciting, vigorously original novella from Shirley (Black Butterflies, etc.). The book is brief, but Shirley packs into it an epic's worth of imagination and ideas. As the story opens, Earth is under siege by marauding demonsDseven "Clans" or types of "supernatural creatures" that take pleasure in killing, often with maximum pain. In flashback, the narrator, Ira, a young artist/art director, details the coming of the demons and humanity's response to their mass slaughterDdenial, terror, appeasement, habituation; in the present day, he helps uncover the decades of intentional human depredation that led to their arrival. At this level, the novella works well as a brisk, sophisticated action yarn with echos of classic horror tales, particularly those dealing with alien invasion; especially effective is a rooftop scene that has Ira facing off against a Bugsy, an extremely nasty sort of demon that mimics human form and talks like a drunk. But Shirley ups the ante considerably by doubling the story as a parable about awakening, as Buddha, Jesus and others might have used the termDabout awakening from the mind's incessant chatter and dreams to see the world as it really is. Humanity's hope to defeat the demons rests in a mysterious Conscious Circle of Humanity made up of those who have achieved wakefulness; one man connected to the Circle has an exotic daughter whom Ira loves and who turns out to be harboring within her psyche the "Gold in the Urn," a blazing wheel of energy that contains the "being force" of history's awakened ones and that, ultimately, proves the demons' match. With its potent underlying philosophy, serious theme, fresh vision and taut storytelling, this little novel makes a big impact.
March 15, 2002
The apocalypse has come and gone and demons prowl Earth, forging a path of violence and torture as they rampage across the planet. A few scientists, aided by a young San Franciscan artist, pool their resources in a bold maneuver to end the reign of these creatures. From the streets of America's cities to the heart of the Middle East, Shirley's latest novel, based on an earlier story, combines fast-paced action, outrageous science, and graphic horror in a novel suitable for large horror collections.
Copyright 2002 Library Journal, LLC Used with permission.
February 1, 2002
Shirley's well-turned apocalyptic tale, redolent with the terror of inexplicable carnage, is two novels in one: a first-person account of an initial advent of demons in everyday reality, followed by the story of their later return. Ira, narrator of the first, plays a significant role in the second, and Shirley links the two episodes nearly seamlessly. Ira reports a world gone mad with demonic possession, its people clinging to normality for dear life. After discovering the horrible truth behind the invasion, a group of the spiritually "awake," the Circle, sends the demons back where they came from. Proving that people don't learn from experience, nine years later the invasion is dismissed as a mass hallucination, and a group of industrialists become bent on bringing the demons back. Shirley plays well with the old themes of universal consciousness and spiritual enlightenment as well as the darkness and light in the human psyche. His brand of horror mixes the blatant--corporeal demons--and the subtle to disclose the merely human capacity for atrocity.(Reprinted with permission of Booklist, copyright 2002, American Library Association.)
February 18, 2002
To a novella of the same title, Shirley (...And the Angel with Television Eyes) adds a lengthy aftermath that, though it couples clunkily, offers a crafty elaboration of the dark metaphysics in the original parable about corporate greed. Nine years after the benevolent Conscious Circle group exorcised the ravenous demons who arose in response to toxic disaster, it's business as usual in America. Stephen Isquerat, a naïf climbing the corporate ladder at the West Wind company, is convinced like most everyone else that the past demonic convergence was a hallucinogen-induced exercise in mass hysteria. Little does he know that his company's interest in "psychonomics," the manipulation of the spiritual power of business, is laying the foundation for a demon resurrection, or that his work marketing Dirvane 17, a potent neurotoxic pesticide, is making him the perfect vessel for their second coming. The first part of the novel is a fascinating if talky take on clinical demonology that greases the wheels for escalating events in the second part. Though the author conceived the two halves of his story as variations on the same theme, their differing approaches seem out of synch, a problem most notable in the perfunctory relationship of Conscious Circle members to Stephen's experiences. For all the narrative gear grinding, Shirley succeeds in fashioning an over-the-top occult thriller solidly anchored in a bedrock of social consciousness. (Mar.)FYI:Cemetery Dance published the original novella (Forecasts, July 24, 2000).