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Fatal Glamour

The Life of Rupert Brooke

ebook
1 of 1 copy available
1 of 1 copy available
Rupert Brooke (b. 1887) died on April 23, 1915, two days before the start of the Battle of Gallipoli, and three weeks after his poem "The Soldier" was read from the pulpit of St Paul's Cathedral on Easter Sunday. Thus began the myth of a man whose poetry crystallizes the sentiments that drove so many to enlist and assured those who remained in England that their beloved sons had been absolved of their sins and made perfect by going to war. In Fatal Glamour, Paul Delany details the person behind the myth to show that Brooke was a conflicted, but magnetic figure. Strikingly beautiful and able to fascinate almost everyone who saw him - from Winston Churchill to Henry James - Brooke was sexually ambivalent and emotionally erratic. He had a series of turbulent affairs with women, but also a hidden gay life. He was attracted by the Fabian Society's socialist idealism and Neo-Pagan innocence, but could be by turns nasty, misogynistic, and anti-Semitic. Brooke's emotional troubles were acutely personal and also acutely typical of Edwardian young men formed by the public school system. Delany finds a thread of consistency in the character of someone who was so well able to move others, but so unable to know or to accept himself. A revealing biography of a singular personality, Fatal Glamour also uses Brooke's life to shed light on why the First World War began and how it unfolded.
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    • Booklist

      April 15, 2015
      Initially the star among Britain's WWI poets, Rupert Brooke (18871915) died of infection during the Gallipoli campaign, never having seen combat. He had published some war sonnets, however, and, dubbed the handsomest man in England by W. B. Yeats, was a celebrity. His circle of Cambridge men mingled with the barely older Bloomsbury Group; Virginia Woolf called them neopagans. But while he put on the front of a free-lover, his, his friends', and his lovers' massive correspondencewithout which Delany's book would be a sketchreveals a man tormented by sex chiefly because he rarely got any and, except, perhaps, for a fling with an American widow, didn't like what he did get. It was souring himchanging his outlook from Fabian socialist to jingoist, anti-Semitic, and antifeministbefore the war gave him something to die for and Delany something to relieve the longueurs of recording Brooke's fading from golden boy into Colonel Blimp. This is ultimately a celebrity biography, with scant attention paid to Brooke's poetry. Deep-dyed Bloomsburians will, however, revel in it.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

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  • English

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