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Space Odyssey

Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece

Audiobook
0 of 1 copy available
0 of 1 copy available
Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn't yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001's resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.
Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick's widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001's leading man-ape; and many others.
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    • Publisher's Weekly

      March 5, 2018
      Benson (Otherworlds) celebrates the 50th anniversary of the classic SF film 2001: A Space Odyssey with this wide-ranging, if somewhat lopsided, chronicle of the collaboration between director Stanley Kubrick and novelist-turned-screenwriter Arthur C. Clarke. It plays out as a straightforward production history but one set apart by the project’s massive scale and extended gestation period, from Kubrick making first contact with Clarke in 1964, with a two-page letter proposing “doing the proverbial ‘really good’ science fiction movie,” to the film’s 1968 release. Unfortunately, Benson struggles to cover his protracted story, which is alternately sketchy and repetitive. Key figures, such as special effects expert Douglas Trumbull and actor Keir Dullea, are introduced quickly only to disappear for long stretches (helpfully, Benson does includes a list of major characters). In the end, this is very much Clarke’s story. Even after 500 pages, the reserved, controlling Kubrick feels like a distant figure. Clarke emerges far more vividly, with Benson, who befriended Clarke near the end of his life, offering a uniquely privileged glimpse of the author’s personality—“an earnest manner leavened by his quick wit”—and day-to-day life as a British expat in Sri Lanka. But readers will be disappointed to expend this much time on 2001 and still come away knowing only part of the story.

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  • English

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