Juba!

July 20, 2015
Published posthumously, Myers’s final novel is based on the life of Master Juba, born William Henry Lane in Providence, R.I., around 1825, who became a highly successful performer. Peopled by both historical and fictional characters, the book tells the unusual story of a free black man in the 19th century with a gift and passion for dance. So noteworthy that Charles Dickens interviewed and wrote about him, Juba is presented as a thoughtful, proud young man who means well and works hard; Myers gives him a direct and sympathetic voice, depicting the struggles and successes of his short life in the Five Points neighborhood of New York City, and later in London, with warmth and convincing detail. Relationships between blacks and whites are sensitively portrayed, and issues of race are treated frankly, both in dialogue and in Juba’s reflections. Photographs, reproductions of advertisements and reviews of Juba’s performances, and documents such as Juba’s death certificate add atmosphere and authenticity to this rich story; a closing note by Myers’s wife provides background on the author’s research process and distinguishes the historical characters from the fictional. Ages 13–up. Agent: Miriam Altshuler, Miriam Altshuler Literary Agency.

August 1, 2015

Gr 6 Up-William Henry Lane, also known as Master Juba, was a famous dancer in America and England in the 1840s. Myers's final novel uses historical sources to piece together a picture of what his life might have been like. Juba grew up a free black man in the Five Points neighborhood of New York City, and his dancing was influenced by the Irish style. He encountered Charles Dickens after an early performance, who subsequently reviewed the dance in his American Notes. Historical images are provided throughout. Unfortunately, the author's choice to make this a first-person narrative makes some aspects of the exposition problematic. Young readers may not understand what minstrel shows were, and the context of the narrative is inadequate to convey why Juba would have been adamant about staying away from this form but ultimately began to participate in it. Richer back matter would have enhanced the overall quality of the book. VERDICT This will have appeal to readers who are interested in the history of dance or the antebellum period of American history.-Kristin Anderson, Columbus Metropolitan Library System, OH

Copyright 2015 School Library Journal, LLC Used with permission.

July 15, 2015
Juba, a freeborn young black man, dreams of making it big as a dancer in antebellum New York City. The late, acclaimed Myers chose the real-life story of William Henry Lane, arguably the most celebrated black performer of the prewar era, as the basis for this historical exploration. Combining extensive research and deft storytelling, Myers chronicles Juba's struggle to perform with superb skill and dignity instead of the degrading "cooning" and blackface that minstrel shows demanded. When the novel opens in 1842, 17-year-old narrator Juba lives "more or less" on his own. Longing for a chance to make a living as a dancer on his own terms, he's adopted a stage name, Master Juba. In the meantime, he works as an assistant to a smoked seafood seller. Through the authentic voices of his characters, Myers re-creates the New York City of the era, where free blacks like Juba coexisted with their equally impoverished white immigrant neighbors, and they faced the ever present threat of being captured and sold into slavery down South. Readers may be impatient with the slow pace of the first half of the novel, but that will give way as Myers' moving prose captures the dizzying speed with which the immensely talented Juba's star eventually rises. Poignant, revealing period fiction about race and art in pre-Civil War America. (Historical fiction. 14 & up)

COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

July 1, 2015
Grades 6-9 Having plumbed the archives for information about the nineteenth-century dancing sensation known as Juba, Myers pieces together a fictionalized account of his extraordinary life in this posthumous novel. Set in the Five Points district of New York City, the story begins with teenager William Henry Lane's dream of becoming a dancer. At a time when slavery is still practiced and black entertainers are expected to clown in minstrel shows, Juba, as he is called, wants to be known for his talent. Dancing with the speed and inventiveness of a young man possessed, he earns a reputation that eventually allows him the opportunity to tour Britain. Juba's passion, determination, and optimismand position as a free manduring a time rife with racial injustice make his story unique. (Note that period-appropriate use of the n-word may prompt classroom or dinner-table discussion.) Vintage illustrations and news clippings, and the incorporation of historic figures, further help to bring him to life. Though Juba meets a sad and premature end, his story offers an intriguing glimpse into America's past. HIGH-DEMAND BACKSTORY: Among the last books written by the award-winning Myers, who died in 2014, this will surely receive substantial attention and interest from his many fans.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

January 1, 2016
Myers's posthumously published novel imagines the life of legendary African American dancer William Henry Lane (approx. 18251854), better known as Juba, who toured Great Britain with minstrel group The Serenaders. Myers confronts head-on the racial realities of the preEmancipation Proclamation era. Appended are an epilogue clarifying fact from fiction and a note about Myers's research methods written by wife Constance Myers. Timeline.

(Copyright 2016 by The Horn Book, Incorporated, Boston. All rights reserved.)

November 1, 2015
Myers's posthumously published novel draws on the historical record to imagine the life of legendary African American dancer William Henry Lane (approx. 18251854), better known as Juba. Juba first makes a name for himself in his late teens, performing in and organizing a successful integrated dance gala in New York City's Five Points neighborhood. A chance encounter with Charles Dickens (who lauds Juba's dancing in his book American Notes) opens the door to a tour of Great Britain with Gil Pell's minstrel group, The Serenaders. Knowing that audiences will expect him to coon it up, Juba has misgivings; Pell convinces him, insisting he wants the show to portray authentic African American music and dance. Juba receives acclaim and meets his future wife, Sarah, but his success and happiness are short-lived: he falls ill and dies alone in a Liverpool workhouse at age thirty, seeking opportunities to perform right up to the end. Interspersed into Juba's personable first-person narration are reproductions of period maps, photos, and primary source documents. Throughout, Myers confronts head-on the racial realities of the preEmancipation Proclamation era: an acquaintance is kidnapped and sold into slavery; Juba must constantly reiterate his own humanity and his integrity as an artist in the face of the insulting darky entertainer jobs he is offered. Appended are an epilogue clarifying fact from fiction, a timeline, and a note about Myers's research methods written by his wife, Constance Myers. katie bircher

(Copyright 2015 by The Horn Book, Incorporated, Boston. All rights reserved.)